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Most critics have come to more or less the same conclusion about Robert Rodriguez’s new film, “Machete.” With few exceptions, the movie has been received as a directorially accomplished and modestly enjoyable comic-book revenge fantasy — easy to look at, easy to laugh at, and easy to forget. There is, of course, a contemporary twist. Critics also invariably note the ultraviolent operetta’s cartoonish pro-immigrant politics, in which virtuous Mexican day laborers struggle against and defeat villainous drug lords and murderous Anglo border vigilantes.

More gore-ality than morality tale, the film essentially does for the border what Rodriguez’s friend Quentin Tarantino did for the Third Reich in “Inglourious Basterds.” Which is to say, he turns it into a vehicle for guts-splattered slapstick mixed with fact and fancy, heavy on the fancy. It is an argument for comprehensive immigration reform by way of Tromaville. A film in which a man swings down the side of a building using another man’s intestines as a rope, as Danny Trejo’s title character does, is not taking itself very seriously. Nor, say critics, should it invite audiences to do so. “The only viewers [“Machete”] is likely to upset are the same kind of people who once claimed that the purple Tinky Winky in ‘Teletubbies’ promoted a gay agenda,” wrote Stephen Holder of The New York Times. Or, as “Machete” costar Michelle Rodriguez told Cinematical, “It’s a freaking exploitation film. If anybody tries to take [it] seriously, [as a] political statement, I would laugh at them.”

Rodriguez has been laughing for over a week now, because since the film’s release on Sept. 3, some usual suspects have concluded that Tinky Winky is now part of the Aztlan plot. For the more outraged conservative critics of “Machete,” the spectacle of America’s first Latino action hero laying waste to cartoon rednecks the way John Rambo once laid waste to cartoon commies is too much to bear. For them, “Machete” is a harbinger of race war, if not the geographical disintegration of the country itself. “The Reconquista is here—at a theater near you,” wrote FoxNews.com contributor James Pinkerton, referring to a nativist conspiracy theory about Mexico plotting to “reconquer” the American Southwest that is also known as the Plan de Aztlan. Richard Spencer, a former American Conservative editor who now edits AlternativeRight.com, sniffed that the movie was “a catalogue of depraved and predictably left-wing outrages” whose only message is “Kill Whitey! Kill Whitey! Kill Whitey!”

AlternativeRight.com is a project of VDARE.com, the nativist hate site named after the first English child born in the New World, Virginia Dare. VDARE’s own in-house film critic, Alexander Hart, wrote in a similar vein that the film purveyed an “anti-white, anti-American, treasonous agenda” offering “patriotic Americans an honest look of how Hollywood really sees us.” (Hollywood, in this case, is the Rupert Murdoch-owned Twentieth Century Fox.)